Star Transcriptions 2018

These works originated in a series of long-exposure astrophotographs taken at night on the Coxs River on the Western side of the Blue Mountains. We camped amongst the granite boulders in a campsite we informally called Falling Water.  I then traced out star constellations that my eye was drawn to. A painterly layer from the image was generated by continual reprocessing of various algorithms and filters in specialised astrophotography software, exaggerating and reinforcing the signal in each pass, bringing out resonant frequencies buried within the file. Ultimately I see these as painterly hybrids between painting and photography.       

Violet Gas 2015

  Violets are everywhere on the ground outside the windows of the gallery. A violet accord is one of my favourite chemical cocktails and appears like magic when you are making one from scratch. The ionones are an interesting and historical chemical class that heralded synthetic perfumery’s beginnings. A Violet in nature is fleeting because our brains have evolved to react to the ionones and switch them off. Even with a synthetic version, this holds true: the ionones flip your brain, and then your brain flips them off. Violet Gas 2015. Acrylic on canvass, Violet aroma made by the artist, …

Black Canyons

Black Canyons: Sun Valley – Michael Morley, Joyce Hinterding and David Haines. Commissioned and performed at  Campbelltown Arts Center in 2015 Curated by Matthew Stefan. Photographic Documentation by Christopher John Frape. The article from the Sydney Morning Herald can be found here The audio from the performance can be heard here

Geology

    Geology was commissioned by the Museum of Contemporary Art, Sydney 2015,with early support from Christchurch Art Gallery Te Puna O Waiwhetu.

Soundship (descender 1)

  Gravity invisibly governs the movement of the world, the shape of space and the flow of time. Our project involved sending an Aeolian space craft,  Sound Ship (descender 1) into the stratosphere to the edge of space and back. Our spacecraft, produces sound as it meets the extreme elements on its journey, composing a unique sound composition based on the environmental situation at the time of flight. Air pressure, wind currents, and gravity itself produce noise from the air blown instruments that we have designed into the structure of our spacecraft. The Sound Ship (descender 1) is sent aloft under a specially …

The Wollemi Kirlians 2014

The following is a text written for the Kuandu Biennale extracted from a longer essay written by curator Jasmin Stephens David Haines is presenting an installation comprising a suite of images using the technique of Kirlian photography and a fragrance he composed in his Aroma Studio. In his sculptural assembly, Wollemi Kirlians (2014) and Slow Fast Mountains (earth aroma laboratory)(2014), Haines has configured the visual and olfactory elements to set up a recognition system intended to bring Biennale visitors into closer proximity to ‘unseen forces’ that lie within and around us. Haines’ installation exemplifies the tension between ‘the fictive and …

Ozinal

  Three types of ozone aroma molecules are combined in a base of chemistry that allows for their moist breezy and electrical smelling qualities to bloom. They are housed in a handmade geodesic black paper sphere that allows for a suitable thermodynamic environment for the aroma molecules to circulate without spreading too far into the gallery. An ultrasonic speaker provides a focused sound beam into the area near to the smelling sphere that enables the viewer to smell ozone like molecules and hear the sound of the suns interaction with the earths ionosphere recorded by the artists using a VLF antennae and …

Live Sound Performances (under construction)

2013   The falls of darkness, Haines/Hinterding, for Niteworks at The Bundanon Trust, NSW. 2013  Fields Found, Joyce Hinterding solo performance,  Found Sound, MUMA Melbourne 2012  TarraWarra Biennial Sonic Spheres, Haines/Hinterding, Healesville Vic. 2012  Sound Full, Sunvalley, Dunedin Public Art Gallery Dunedin, New Zealand. 2011  Awfully Wonderful  Haines/Hinterding, Performance Space Sydney. 2010  The difficult music Festival – Haines/Hinterding Sedition 2010 Monocline, Haines/Hinterding, Super Deluxe at Artspace, 17th Biennale of Sydney, Sydney. 2008  Now Now Festival, Joyce Hinterding solo performance, Wentworth Falls School of Arts, Blue Mountains, NSW. 2007  American Modern, David Haines, The Winecellar, Auckland, New Zealand 2006  Sound and Electricity, Joyce Hinterding solo …

News:Haines to launch and Hinterding to perform at Douglas Kahn’s book launch

Earth Sound Earth Signal is a study of energies in aesthetics and the arts, from the birth of modern communications in the nineteenth century to the global transmissions of the present day. Douglas Kahn begins by evoking the Aeolian sphere music that Henry David Thoreau heard blowing along telegraph lines and the Aelectrosonic sounds of natural radio that Thomas Watson heard through the first telephone; he then traces the histories of science, media, music, and the arts to the 1960s and beyond. Earth Sound Earth Signal rethinks energy at a global scale, from brainwaves to outer space, through detailed discussions …

News:Hinterding Simple Forces

JOYCE HINTERDINGSimple ForcesOpening Thursday 24 October, 6–8 pm Joyce Hinterding, Loops and Fields: series 4, 2010, ink & graphite on paper, 76 x 57 cm With sensory richness and remarkable resourcefulness, Hinterding makes us aware of the vast array of ambient energy that swathes us, all the while testing the limits – and expanded possibilities – of representation.Patrice Sharkey, Artist Proof #1, MUMA, 2012In Simple Forces, Joyce Hinterding considers the aesthetics of our electromagnetic environment through a series of conductive graphite drawings and installations. Hinterding’s work finds a compelling balance between physics and aesthetics, a practice immersed in the strange territory between a field …

News: Hinterding Found Sound

  Joyce Hinterding Lawrence English Date: Saturday 26 October 2013 Time: 3.00pm Venue: Monash University Museum of Art Joyce Hinterding will perform using custom-made VLF (very low frequency) loop antennae and a radio scanner to source electromagnetic energy from the surrounding environment. Lawrence English works in a range of spheres including electronic-based composition and field recordings – capturing sounds as delicate as sand grains in motion or as remote as the winds of Antarctica. click for more: http://www.monash.edu.au/muma/events/

News:Haines & Hinterding: Hollow in the Paper

12/07/2013 – 18/08/2013 Hollow in the Paper Joyce Hinterding, Pat Brassington, David Haines, Fiona Lee, Amanda Davies, Maria Kunda, Teaching and Learning Cinema Bec Stevens CAST Hobart from the CAST website the wonderful Bec Stevens writes Hollow in the Paper* was initiated through readings of two intertwined notions proposed separately by Duchamp. The initial text included the succinct idea of a transformer to utilise slight, wasted energies – with these mostly bodily energies being, for example, “sneezes and sighs” or “the movements of fear, astonishment, boredom and anger”. And the second notion being the infra-slim, infra-thin or infra-mince. A term …

Noumenon Range

This pure pigment image is the first in a number of works that form part of a series on imaginary cartography. “Looking towards the Noumenon Ranges, 2013 ” was first exhibited in the Konica Minolta Redlands Prize. The landscape depicted is often mistaken for a real place. The landscape is algorithmically generated using fractal-based 3d rendering software. 

The Falls of Darkness

12 October 2013   ‘The falls of darkness‘  was installed and performed for Niteworks at The Bundanon Trust in the Glen Murcutt designed Boyd Education Center. ‘The falls of darkness’ drew its source sound from 5 large graphite graphic Very Low Frequency antenna stenciled onto the large windows of the Boyd Education Center and 7 copper tube antenna pointing into the night sky. This live performance explored the electromagnetic soundscape of the surroundings and wrangled this energetic material into a composition of elaborate sonic structures. Invite to BundanonNiteWorks PDF

Cloudbusters

2012,Orgasm,Breenspace,Sydney,2011 Awfully Wonderful,Science Fiction in Contemporary Art,Performance Space Sydney.The Black Ray: Cloudbuster Number Three: Orgone Energy Cloud Engineering Device, Starlight Driver: Cloudbuster Number Four: Orgone Energy Cloud Engineering Device 2011–12 – anodized aluminium, irrigation piping, water pump (240cm x 11cm x 28 cm)Electrostatic composition for Carbon Black Electrostatic composition for Carbon Black and Alizarine Yellow 2012 Carbon Black pigment, Alizarine Yellow pigment, polycarbonate, cedar (95 x 62 x 33 cm) The Black Ray and Starlight Driver are functional working Cloudbusters, an invention of psychoanalyst Wilhelm Reich that appeared in the US in the 1950’s that are said to be able to manipulate and restore balance to the …

Simple Forces

2013 Breenspace Sydney Joyce Hinterding’s exhibition, Simple Forces, considers the aesthetics of our electromagnetic environment through a series of conductive graphite drawings and installations. Hinterding approaches energy as a ‘non-human mode of expression’ that explores the four fundamental forces at the heart of existence: gravity, the strong force, the weak force and electromagnetism. What happens when an artist translates invisible forces into compositions? Hinterding’s work finds a compelling balance between physics and aesthetics, a practice immersed in the strange territory between a field and the force it can generate. For Hinterding, a graphite spiral becomes a resonating structure that emanates energy, scavenging, …

WaveForm : Induction Drawings

2012 Graphite, Indianapolis Museum of Art , Indiana, USA This exhibition presents a glimpse into recent and innovative uses of graphite. A form of crystallized carbon, graphite is a naturally occurring mineral as well as a synthetic, industrial product that can be processed and in multiple ways. It can be machined or carved, used as a powder or liquid, or handled as a lump, stick, or pencil. Graphite gathers together works that reveal the material’s potential to take a variety of forms and yield a wide range of visual effects. Graphite is accompanied by a comprehensive digital catalogue, one of …

Monocline : White Cube / Monocline: Black Boxes

  Monocline: White Cube – Real-time 3D environment,Kinect motion sensor,3d audio.2010 Monocline, Premiered at SuperDeluxe for the 17th Biennale of Sydney in dual channel performance,2011 Monocline: White Cube exhibited at Breenspace Sydney,2011 Monocline BlackBoxes exhibited at SoundFull,The Dunedin Public Art Gallery NZ and Wellington City Gallery 2012-2012 Monocline: The NowNow Festival, Sydney,2012 Monocline: BlackBoxes,SoundSpheres Tarrawarra Bienial at the Tarrawarra Museum of Art Monocline: white cube, establishes a real time navigable environment that redresses the game paradigms of skill and challenge and instead allows viewers to move freely through multiple immersive abstract worlds. The navigation system for this is achieved with a …

SoundWave: Induction Drawings

2012 Artists Proof #1, Monash University Museum of Art, Melbourne The SoundWave: Induction drawings were exhibited at MUMA (Monash University of modern Art) for the exhibition “Artists proof #1. These sound producing induction drawings take technical liberties around the notion an energy scavenging and storing energy. for example SoundWave: Induction drawing1 Capacitor Wave investigates the sonic possibilities for a series of Wave form resonating elements inside a wave form loop and is connected to a graphic capacitor. SoundWave: Induction drawing1 Capacitor Wave SoundWave: Induction drawing 2 Resonator Wave SoundWave: Induction drawing3 Spiral Wave SoundWave: Induction drawing4 Wave core     …

The Outlands

2011,Anne Landa Award for Video and New media Arts Art Gallery of NSW. interactive digital projection,computer,various hardware, twigs, table, speakers. Additional sound: Michael Morley, Danny Butt & Rosy Parlane. ‘The Outlands’ is a virtual reality environment that allows the viewer to explore a series of imaginary landscapes using customized control sticks. Built with the Unreal game engine the work has four levels where viewers are free to take their time to look around and explore without fear of assassination. Visitors are invited to take control and conduct their own voyage through an immersive digital world of forests, islands, and futuristic interior …

Spiral Network

2011 Outhear, Spiral Network – Release Agent 01 Footscray Community Centre, Vic An installation of four, graphite,graphic sound producing antenna, installed at The footscray Community Centre for the 2011 Outhear Festival. [embedit snippet=”spiral-network-release-agent-01″] Playing the Antenna is Dale Gorfinkle.